I. Puccini of "Turandot" and the twentieth-century aesthetic theater

Book Description

In 1912 to "swallow" in the Monte Carlo premiere of 1917, the occurrence of the two pairs of Puccini, the very significant events that severely affected his creativity. June 6, 1912, Puccini had in a letter called "brother, friend and father" Julio. Like Di died, Puccini, after learning of this news, sent a telegram to contain his shock: "our beloved Mr. Zhu Liou die tonight, and hug you. Your Gu Kemo." T is issued to Yi Lika, who has repeatedly co-operation and Puccini playwright, informing him that Julio had died, not Julio's father and brother to join the work and style of the proposal, whether it is "Manon. Lei Si Ke "or" Bohemian "and would not be where we are today. Julio took over Like many sons of God after the whistle, the relationship between composers and publishers gradually deteriorated, although at that time precisely because of God more than the proposed Puccini, as soon as possible in Paris, listened to Carey (Albert Carre) proposal, only "Madama Butterfly" fourth edition, is the birth of the Paris version. Chapter Timor and many more contributed to Chennai cooperation "Rimini's Fran is ska" the situation, we can see God more and more as the Chennai chapter for the case of Puccini's successor, so that large Puccini for the anger.

The second and Puccini creation of the case is the outbreak of World War I, so that the non-political cell, only for his own operas in the international well-known composer and fellow militant and patriotic, such as Leon Card issued Luo et al, conflict, and into the depression in the long term. At this time Puccini has nearly completed that could be called the "coat" of the script, yet still can not find the other two and the match can be completed in keeping with his "triple play" of the concept of drama. Puccini's "triple play" system to the original idea of Dante (Dante Alighieri) "Divine Comedy" (Divina Commedia) in three structural <Hell> (Inferno), <net community> (Purgatorio), and <Paradise> (Paradiso) into the framework of three short operas; as card (Mosco Carner) pointed out that the completion of the three elements of the story really works with the crime, suspected of God's forgiveness through to the joy of laughing philosophy of the process. Three operas in addition to reflecting the world view of Dante, the Puccini has repeatedly tried to Gorky (Maxim Gorki) to write three short stories triple play of the fact that also work as a whole have essential influence.